The January issue of the New Criterion magazine features an essay by National Civic Art Society Research Fellow Myron Magnet on the superb classical art and architecture of the U.S. State Department's diplomatic reception rooms.
The article begins:
Don’t mistake the sumptuously produced, lavishly illustrated America’s Collection: The Art & Architecture of the Diplomatic Reception Rooms at the U.S. Department of State for just one more coffee-table bagatelle. It’s an important reminder that architecture is as much about the interior as the exterior of buildings, that its role is to adorn and enhance the activity it houses as well as to present a gracious face to the public world. Chief among the landmarks of architectural history, after all, are Michelangelo’s muscular staircase hall in the Laurentian Library, for instance, or Robert Adam’s neoclassical rooms built into the Elizabethan Syon House, or the interiors of the great cathedrals in Christendom. Like those additions to the Laurentian and Syon, the forty-two splendid, classical State Department rooms are built within an earlier building, a bland, modern behemoth, to which these rooms stand as a corrective, even a mild reproach. We can and should build like this, these interiors seem to whisper.
Read the whole things HERE.